JBL Ceiling Speakers Demystified

Ceiling speakers are an integral part of most commercial AV projects, and whether your project is a corporate boardroom, a classroom, a multi-purpose room, or even a large warehouse, selecting the correct speaker type to fit your application and budget is of critical importance. Fortunately, in today’s market there are plenty of excellent choices, and one of the most recognizable and respected brands, JBL, offers a wide range of ceiling-mounted loudspeakers to fit your needs.

But with nearly 30 different ceiling-mounted speaker models to choose from, selecting the right JBL ceiling speaker for your application can be a daunting task. That’s where this guide comes in – by asking your customer (and yourself) a few simple questions, you will be able to narrow down your options and make the right choice for your project.

Cracking the Code

Let’s start by demystifying some of the meaning behind JBL product codes. Once you understand the nomenclature behind JBL model numbers, you’ll be able to find the product you’re looking for more quickly. Here’s an example:

Understand JBL product codes with this Control 47C/T example

JBL control 47ct ceiling speakersHere we have the Control 47C/T. The first number (in this case 4) denotes which series the product comes from (here the 40 Series, high-performance, full-range speakers). The second number (in this case 7) identifies the approximate size of the low-frequency speaker in the enclosure. This number is typically rounded up to the nearest whole number (in this case, 6.5” rounds up to 7).

The letters after the model numbers signify various characteristics of that particular model. The full list can be found at the bottom of this document, but here are a few of the more common model suffixes:

  • C = Ceiling Speaker
  • CT = Ceiling Speaker with non-bypassable 70V transformer (can only be used in 70V mode)
  • C/T = Ceiling Speaker with bypassable 70V transformer (can be used in low-impedance or 70V mode)
  • LP = Low-profile
  • HC = High Ceiling
  • P = Pendant
  • S = Subwoofer

Asking the Right Questions

Now that we have a basic understanding of JBL nomenclature, let’s dive into making a product selection. In order to select the right JBL ceiling speaker for your project, you should ask three basic questions:

  • What will the speaker system be used for? (What is the application?)
  • What is the budget for the speaker system?
  • Are there any special requirements or limitations I should account for?

Application

“What will the speaker system be used for?” – it seems like a simple question (and it is), but the answer will provide you with the best information to narrow down your product selection. Will the system be used for high-energy foreground music or simple background music? Will the system be used for voice reinforcement in a large classroom or training center, or will the primary application be paging and mass notification?

JBL control 226ct ceiling speakersFor applications where high-quality, full-range music playback is the main goal, the Control 40, Control 200, and Control 300 series should be your first choices. The speakers in these lines are designed and tuned to provide a full-range frequency response at higher volume levels, and to operate much like a standard loudspeaker cabinet, but in a compact ceiling device.

JBL control 24ct micro ceiling speaker pairIf your project requires high-quality voice reproduction, or a combination of voice reproduction and low-to-medium level background music, your first choices should be the extremely popular Control 10 and Control 20 series. The speakers in these series are some of the most popular ceiling speakers on the market for a good reason – they provide excellent voice intelligibility and good music reproduction in a cost-effective and installer-friendly package, and are an excellent choice for a wide variety of commercial applications.

For projects which require only simple paging or voice notification, JBL has you covered with the CSS Commercial and 8100 series. These easy-to-install, no-frills speakers provide excellent voice reproduction and reliability at an entry-level price point.

Budget

Different projects have different budgetary restrictions, and fortunately JBL provides a wide range of speaker options to ensure that you can find the right product for your project’s budget.

For example, lets say that you are outfitting a multi-purpose room with standard acoustical ceiling drop tiles. Your first choice for this application might be the Control 26CT. This is a great choice, but if you need a similar speaker at a lower price point, you could consider the Control 16C/T. The Control 16C/T lacks the Control 26’s SonicGuard overload protection circuit, and the woofer is made from a different material, but the sonic character of both of these speakers are very similar.

JBL 8128 ceiling speakersSimilarly, for a paging application where aesthetics are a consideration, the 8124 is an excellent choice. However, if a modern look is not required, the CSS8004 provides very similar performance at a much lower price point.

JBL css8004 ceiling speakersPlease note that despite the overlap between JBL models between various series, you should not assume that there is always an “apples-to-apples” comparison. For example, some series will have necessary accessories or features included like back cans or tile bridges, while others may not. Always research to make sure you are making the right choice, and contact us if you have questions!

Special Requirements

JBL control 47hc ceiling speakersDoes your project have any special circumstances where a typical ceiling speaker won’t work? Don’t worry – JBL has you covered!

For rooms with especially high ceilings where precise pattern control is needed, the Control 47HC provides a 75-degree beamwidth pattern for increased clarity and intelligibility.

JBL control 47lp ceiling speakersHave a ceiling with limited above-ceiling clearance? Try the Control 47LP low-profile ceiling speaker. It features the same sonic profile and coverage as the Control 47C/T but is only 5.6” deep.

JBL lct 81ct ceiling speakersLooking for a low-profile speaker which is easy to install and fits seamlessly into a standard drop-tile ceiling? Try the LCT 81C/T – it is a full-range speaker designed to drop into a 2’ x 2’ suspended ceiling grid without cutting or trimming.

 Summing It Up

Hopefully this guide was able to provide you with a better understanding of the many, many ceiling speaker options JBL provides. But this is just a start – to view the full lineup of JBL ceiling speaker options, refer to JBL’s Control Contractor Brochure. And – as always – if you have any questions or need product recommendations, reach out to Exertis Almo’s Audio Support Team!

JBL Suffix and Prefix Guide

C Ceiling speaker
CT Ceiling Speaker w/ non-bypassable 70V transformer
C/T Ceiling speaker w/ bypassable 70V transformer
LP Low-Profile
HC High-ceiling
P Pendant
P/T Pendant speaker w/ bypassable 70V transformer
S Subwoofer
C-VA Voice Announcement (special certification for use in voice announcement settings)
LS UL Life Safety
AV AV shielded
W In-Wall Speaker
WT In-wall speaker w/ non-bypassable 70V transformer
MTC Mounting bracket or accessory
WMG WeatherMax Grille
MK Marine-Kit
UB U-Bracket
CM Ceiling-mount adapter arm
NC New-construction Installation Bracket
MR Plaster “mud ring” installation bracket
BB Back box (or backcan)
SG Square Grille
RG Round Grille
TB Tile Bridge
TR Trim Ring

 

Want more audio tips? Check out “Enhance Your AV Projects with Pro Audio Solutions“.
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About the Author

John Rossman | CTS

BDM II – Technical Specialist

Supported Manufacturers: Harman ProfessionalAKG, AMX, BSS, Crown, DBX, JBL, Lexicon, Martin, & Soundcraft

AV Design Engineering vs. Project Engineering

Project vs. Design Engineering

When I first joined the AV industry almost 20 years ago, I worked as a project manager for a small integrator in Baltimore. My understanding of AV engineering at that time could be summarized as “there are real engineers (those that worked for my company) and then there are consultants and designers”. The rationale for this skewed perspective was simple: consultants and designers handed us (the integrator) a design full of holes and assumptions, and it was our job to fix those “mistakes” and turn the project into a real-life system that a real-life person could use and benefit from.

av integratorOf course, this naïve and incorrect view was the result of being on only one side of the fence. In the following years, I have been lucky enough to serve in several different roles throughout the industry, from design engineer at a major university, to project engineer, to consultant. Each of these roles has presented different sets of challenges, but more importantly, they have allowed me to see the industry from both sides of the fence, and how each of these roles complement each other to produce satisfactory results for clients and end users.

So what are the actual differences between the “project” engineering and “design” engineering roles? From a distance, these can appear to be two descriptions of the same task, but as we’ll see the differences are significant, beneficial, and necessary for the success of larger-scale projects.

Definitions

For the purposes of this post, we’ll divide the engineering roles into two categories: Project Engineering and Design Engineering. Project Engineering is typically undertaken by one or multiple engineers working for or on behalf of an AV Integrator to produce construction drawings to be used by installers working for that integrator. Design Engineering, on the other hand, is typically undertaken by an independent consultant or pre-sales engineer, creating conceptual drawings which will typically be used by an integrator to create construction drawings.

Goals

As previously stated, an AV Project Engineer is producing construction-level drawings which will actually be used by technicians to install a system. This entails a much higher level of detail and specificity than expected in design-level drawings. As products are being purchased and labor hours are being spent based on the information contained in the drawing package, money is on the line. Every connector, cable, adaptor, and piece of mounting hardware must be accounted for and documented. Cable pull sheets can be generated from these drawings, so cables must be identified and labeled in an understandable scheme. The financial (and technical) success of the installation and project are often reliant upon the accuracy of these drawings. For example, if a Project Engineer overlooks the need for HDMI extension for a long cable run, an extender set may need to be ordered from the field, which can lead to project delays and significant cost impacts.

By contrast, the AV Design Engineer is responsible for creating a design set of conceptual drawings which reflect the project goals set forth by the end user. These conceptual drawings will then be interpreted by the Project Engineer to create the construction drawings. The Design Engineer is expected to have a much closer relationship with the end user, to ensure that the project goals are met, while considering any constraints (budget, timeline, aesthetics) identified by the end user.

Time and Money

Why then do we need to have design drawings at all? Why can’t the Project Engineer simply take the end user’s goals and design the system to construction level all by themselves without the need for a Design Engineer?

As with many things in business and life, the answer comes down to time and money. A Design Engineer is typically contracted directly to the end user or architect via a design contract. This happens very early in the development process, before contractors have been hired. The design team then has the time to meet with the client and stakeholders well before “boots are on the ground”. Budgets can be established, designs can be iterated and reiterated (and re-reiterated) with minimal impact on the overall project budget. Put simply, it is easy and relatively cost-free to make design changes on paper. Changes on-site are a different matter altogether.

Once construction contracts have been issued, boots are on the ground, and drywall is being hung, changes to the design of a system can have massive cost implications. Most integrators do not have engineers on staff that they can commit to being part of a multi-month or multi-year design process. Once they have been hired, they are on the clock to finish the project with (hopefully) a bit of profit in their pockets.

Relationships

An often-overlooked aspect of the importance of the division of the design and project engineering roles is that of impartiality and bias in relationships. While it can be expected that, as professionals, both Project and Design Engineers should value the relationship with the client equally highly as their bottom line, the same expectation might not always be true when it comes to product selection.

business relationshipsAV integrators, by their nature, must have relationships with the manufacturers of products that they sell and install. To ensure competitive pricing, on-time delivery, and pre- and post-sale support, integrators must cultivate and maintain these manufacturer relationships. Through no fault of their own, this means that integrators will tend to want to sell products provided by manufacturers with which they have good relationships.

While this is all well and good for the integrator, the needs of the project and end user may dictate equipment made by other manufacturers. This is where the value of independent Design Engineers and Consultants is made known. Rather than relying on the product offerings of a few select manufacturers, the independent Design Engineer can select the proper product for the application, regardless of the manufacturer.

Conclusion

While I wish I could go back and tell my younger self these important distinctions, the truth is that it took living and working in both the design and project engineering roles to truly appreciate the differences, as well as the necessity of both roles in the industry. Successful deployments of large-scale AV projects require both the design and project engineer specializations, and we should all be thankful for that!

Interested in more design or engineering related content? Check out “Revisiting ADA Mounting Requirements“.

John Rossman - headshot-frame

About the Author

John Rossman | CTS

BDM II – Technical Specialist

Supported Manufacturers: Harman ProfessionalAKG, AMX, BSS, Crown, DBX, JBL, Lexicon, Martin, & Soundcraft

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