Behind the Panel: Cameras for the House of Worship Market

Welcome to this installment of “Behind the Panel,” detailing everything you need to know about cameras for the House of Worship (HOW) market. I realize that this doesn’t technically fall “behind,” so, for this edition, open your minds and we will go “beyond” the panel. By now, I am hoping you had a chance to read my colleague, Rob Voorhees’, blog post, titled “Streaming into the Future; How Bandwidth Needs Have Expanded for Houses of Worship,” which focuses on dedicated bandwidth for the HOW market. If you haven’t, go now and I will wait here for you…

All caught up?? Fantastic, we are moving on! As Rob mentions in his post, streaming services online has been done for quite some time, but the COVID-19 pandemic really forced houses of worship to change the way they reached their congregation. Reading some statistics online, prior to the pandemic, about 40% of churches said they neither livestreamed their service nor posted online later. As we moved throughout 2020, more and more churches, about 65%, said they were streaming services, with 27% saying they posted a sermon online later. What does all this mean? To me, it means if your HOW is not streaming today, they should be ready to make that jump, because even though people have been making the transition back to in-person worship, the pandemic has shown value in making these services available online, whether to sick congregation members, or churchgoers all over the world, wherever they may be. Statistics from Lifeway research included here.

How do you get your local house of worship up and streaming? Well, you have a great start with all that extra bandwidth they have now, so let’s look at how to choose the right camera. We will be looking at PTZ (Pan, Tilt, Zoom) Cameras. Pan is the ability of the camera to move left/right of center. Tilt is the camera’s ability to move up and down. Zoom is the camera’s ability to move in and out, whether done digitally or optically with the lens. Keep in mind with digital zoom, you lose quality as you zoom in on the image. There are cameras that can provide 12X, 20X, 30X, or even greater optical zoom.

Here are some questions that need to be answered when specifying a camera.

What type of connection will be used?

There are many different ways, including HDMI, SDI, and USB. There are benefits to each, but one of the biggest differences is how far the signal can travel on each. SDI can send signals up to 1000 ft. without loss. HDMI can travel up to 50 ft. without the use of extenders. USB is limited to just a few feet. So, paying attention to infrastructure and the budget is very important in making these decisions. It is significantly less expensive to run a few hundred feet of coax cable for an SDI solution than adding extenders to an HDMI solution.

flat wall and tilt wall mounts

Now, these are great for places with a healthy budget, but what happens if you have a church that is still running on an older technology, like S-Video? Check out what our friends at Vaddio have done. The PrimeSHOT 20 was designed with the HOW market in mind. It comes with 20X optical zoom, 1080p @ 60 fps Resolution and an S-Video output. The camera can detect and downscale the image to S-Video, so you can upgrade the camera in a legacy system, and come back and upgrade the cabling at a later point! Check it out here: PrimeSHOT

Where / how far are you placing the camera?

Important to keep this in mind, because the last thing you want to do is choose a zoom level not high enough for the church’s needs. They may want a wide shot to get the whole stage, or focus on the speaker by getting in tight. Check out this Camera Selection Guide from Vaddio to decide what is best for your local HOW. Don’t forget, these cameras all come with compatible wall mounts, so you have that option right out of the box.

How are you controlling the camera?

Although they come with standard with an IR remote, most HOW will want to have a little finer control over their system. All Vaddio cameras can be controlled via a web browser interface, pictured here >

flat wall and tilt wall mounts

This gives them great results for a lot of basic streaming. If they are looking for a higher “production value” look no further than the Vaddio ProductionVIEW Precision Camera Controller. This gives the user a broadcast-quality joystick to control the PTZ aspects of the camera, as well as the ability to control up to seven PTZ cameras. It’s not for every church, but for those that are serious about streaming their services, it is definitely worth a look.

I think the important thing to keep in mind, like anything else, is listening to what the customer needs. It seems so simple, but digging in to really find those needs out, as well as identifying future what growth they may see in the future, will allow you to craft a solution that can be friendly to the budget, while, at the same time, giving opportunity for repeat business as they look to expand on the initial solution.

I will leave you with this case study from Heritage Lutheran Church just to show the vast potential for streaming in the HOW market.

Thanks for reading.

l look forward to any feedback you might have. Otherwise, see you next time, when I will venture back “Behind the Panel!”

Read my 1st “Behind the Panel!” blog on Commercial vs Consumer Mounts HERE

Patrick Booth, BDM
About the Author

Patrick Booth | CTS, DSCE

Business Development Manager

Supported Manufacturers: Legrand AV (SW, W, NW) – Chief, C2G, Da-Lite, Luxul, Middle Atlantic, Vaddio, Wiremold

Behind the Panel: Commercial vs. Consumer Mounts

What’s behind your display?

I have been in the Pro AV industry for almost 15 years now, and many of those years have been spent working around the many accessories that help make a total solution come together. With the trend in recent years being so focused on TV/Display/Panel solutions, I thought I would spend a little time talking about everything else “behind the panel” – which is how we got here!

Why the mount matters

Why not start simple? Let’s look (literally) behind the panel at one of the most important accessories that can be included in your solution – a wall mount for the professional display that you are installing. The question comes up often – why do I need a commercial grade mount when I can go to “ABC” website and buy one that is half the cost? Great question. Let’s take a look at some reasons why you need to “go pro” when it comes to mounts.

The many mount options

First, a look at the type of mounting solutions available:

flat wall and tilt wall mounts

Static or Flat Wall

The name says it all! These mounts simply hang on the wall horizontally, with no tilt or shift. Keep in mind, you may need locking mechanisms to prevent tampering, or brackets that can hold a media player.

Tilt Wall

These mounts work very similarly to flat mounts, except they have the ability to tilt up or down based on the user’s line of sight.

Swing Arm or Full Motion Wall

As described, these mounts have a much larger range of motion than tilt mounts, swinging out, and then having the ability to tilt, and sometimes rotate. These need to be strong and durable, and you need to be confident that they will hold up – the more moving parts, the more points for potential failure!

Tom Keefe groom's men
tiled video wall mounts

Video Wall

These mounts are designed to be hung together, combining several displays to create a much larger overall display. These will always have several points of micro-adjustment to ensure that the displays line up seamlessly. As one of the most important features, video walls have to give technicians quick access to diagnose and service the panels. Many of them have a “pop-out” style feature to quickly get to the back of the panel – a must for saving time on service calls.

Ceiling Mount

These mounts have special brackets that allow them to be mounted to a column that is hanging from the ceilings. Often times, you will need a column that has adjustable heights based on where the display will be located – these can come in a variety of lengths, both fixed and adjustable.

ceiling mounts

Other considerations

Quality

When you are buying a less expensive mount, you can quickly see that the quality of materials in the consumer-grade models are not quite the same as commercial-grade. Usually, these are made with less expensive metals that may not have the strength to last for the long term. They are designed to be used in a stress-free environment, like a living room (except during a football game), where they really won’t get touched or have potential for people to bump into them like they would in a more public setting. They are also not usually as precisely machined, so the overall fit can be off if you were putting up a video wall for a client who requires a tight, precise, and seamless fit. When picking out a commercial mount, it is important to note if they are UL-tested, which is a testing/certification process that ensures that the mounts will hold the weight that the manufacturers state. In order to gain a UL Listing, a mount needs to be able to hold four times its listed weight capacity before failure. Like my grandmother used to say – “Penny wise, pound foolish!”

Ease of Installation

When commercial grade mounts are manufactured, one of the biggest selling points is that they are engineered with the installers in mind. Many of the jobs that installers are doing call for hanging and installing multiple displays. Let’s say it takes ten extra minutes to put up a cheaper consumer mount and make all the adjustments. What if you have a hundred displays? That’s now an extra 1,000 minutes, over 16 hours of wasted time. Quality, commercial-grade products often have many features to help make this a faster process. They allow for micro adjustments (e.g., level, pitch, etc.) to be made to ensure that fit and finish are tight but do so without special tools and allow for adjustments once the mount is installed. Whether it is tilt, flat, etc., it doesn’t matter – the commercial grade mounts will have these extra features. So, even though the consumer mount was cheaper upfront, if it takes X amount of time longer to install, it can increase labor costs and lengthen the overall time of install. Another favorite of Grandma – “Wasted time equals wasted money.”

Specialized Solutions

Are you creating a 3 x 3 video wall? A menu board for the local pizzeria? Conference room with PTZ cameras and needs for audio? You will not find much to help you in the consumer world! Sometimes installers have to attach displays to I-beams, or hang from columns in the ceiling, so in these cases, it is not simply a case of grabbing a mount off the shelf and putting it up. You need to have products designed to work together to give a complete finished look. You need to “accessorize your accessories,” if you will! That means having the ability to add a shelf for a camera, or a bracket to hold speakers, or maybe an in-wall junction box. You will find that commercial manufacturers specialize in coming up with entire solutions designed to give a complete finished look, no matter the application. Unfortunately, Grandma owned a delicatessen, and really didn’t have any cool, old-timey phrases for wall mount accessories. 😉 Sorry!

Looking for answers?

Our partner, Legrand AV, has a full line of professional mounts and accessories in their CHIEF line of products. They even have a tool to let you find a mount for a specific display or projector – check that out here.

Thank You for Reading!

If you have made it this far, thanks for reading! I look forward to continuing this series and I appreciate any feedback you might have.

Did you find this blog post helpful? Engage with us over on LinkedIn.

Patrick Booth, BDM
About the Author

Patrick Booth | CTS, DSCE

Business Development Manager

Supported Manufacturers: Legrand AV (SW, W, NW) – Chief, C2G, Da-Lite, Luxul, Middle Atlantic, Vaddio, Wiremold

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