by Eric Olson | Feb 17, 2016 | News
It’s no secret we’ve been moving away from the classic form of advertisement for quite some time. Static advertisement strategies to merely attract customers are a thing of the past. With the onslaught of information, creating an engaging experience around the customer is today’s minimum requirement.
Digital signage is an exploding market with ever expanding applications and innovative products that help draw attention to the message. But have you ever wanted to exhibit your latest signage project on a display that truly stands apart from the rest? Well, LG has introduced an amazing new 86” Ultra Stretch monitor for these types of cutting edge digital signage applications – the 86BH5C-B. It’s the world’s first 58:9 format featuring 4K Ultra HD resolution.
This distinctive display size is ideal for some very unique visual applications. The 3840 x 600 resolution provides a one-of-a-kind canvas to display lots of content with amazing color and imagery. Having an extended wide format display can provide a lot of information on a broad canvas without sacrificing image quality. For example, mounting it sideways in landscape format is a fantastic way for retail stores to display them on top of shelves and demonstrate the latest products.
The portrait format mount is equally valuable and really shows the versatility of this type of monitor where it can be utilized in spaces previously unused for signage. You can mount them vertically on building columns to show the latest information and schedules at transportation hubs (i.e. airports, train stations, bus depots, etc.) and businesses (hotels, banks, art galleries, etc.). Plus, the Picture-by-Picture (PBP) feature allows you to divide the screen into four parts in landscape or portrait installations. You can use one portion of the monitor to show video (live TV) and the remaining 3 portions of still images (date/time, weather, flight schedules, etc.).
Debuted as a new digital signage format, the 86-inch LG Ultra Stretch Signage display can even double as “digital décor” (art galleries and museums come to mind). Its stunning image quality and capability of being used in diverse scenarios make this a revolutionary breakthrough in signage.
The only challenge may be in getting the exact content you desire to be custom created for this unique format. However, with the LG SuperSign media editor, you can easily edit images or video clips of original content without any additional editing programs. If you ever need help obtaining the content needed to ride on that display, Almo Content Creation services is also a fantastic option!
For more information on LG’s Ultra stretch display or any of their products please reach out to me at [email protected] / 888-420-2566 X4082
by Darren Altman | Feb 9, 2016 | Digital Signage, News
Sharp’s Professional division has been the industry leader in touch monitors 60 inches and above with the AQUOS BOARD®. To remain as the industry leader Sharp has had to modify these panels over the years. Some of these changes have included the addition of multi touch, anti-glare features, simultaneous annotation, and improved hand handwriting recognition, making it a collaborative solution with its touch display link software that comes free with the purchase of any AQUOS BOARD®. Sharp offers the AQUOS BOARDS® in 60”, 70” and 80” sizes, and most recently Sharp has introduced 2 more AQUOS BOARDS® to their current lineup, the PN-C603D and PN-C703B. These new versions of the AQUOS BOARD® are really aimed for the education market, specifically K-12.
The value series PN-C603D and PN-C703B don’t sacrifice features and are similar to the PN-L line up of AQUOS BOARDS® with the exception of a few differences. The PN-C603D and PN-C703B are still multi touch but only 6 points of touch versus the 10 points of touch in the PN-L series. The other differences between the PN-C and PN-L series are 2 can simultaneously annotate versus 4 people and the PN-C series are rated 16/7 rather than the more robust PN-L series which is rated at 24/7. Even though the PN-C series gives up these few features for it’s economical cost, it still comes with a 3 year warranty, sharps pen software, touch display link software – and best of all – it is still built on the same open platform as the PN-L series allowing it be versatile and agnostic to most software on the market. Even though the education vertical is the primary focus for these new AQUOS BOARDS® it can be used in any application such as way finding, collaborative conference rooms or huddle areas, interactive signage in places such as museums and hospitals.
Stay tuned to more exciting products from Sharp Professional on future blogs. For versatility and performance in business office meetings, education and high-impact signage, there’s never been a better time to think Sharp. For more information on Sharp Professional or to schedule a demo, contact Darren Altman at [email protected] or 888.420.2566 x6541.
by Eric Olson | Feb 3, 2016 | Events, News
Being a pioneer in the meeting room/conference room collaboration and presentation product development is a tremendous feat. But how do you top yourself when you already have an award winning product with tremendous sales growth? How did Barco outdo itself again?
Well, Barco is introducing the new CS-100 and CSE-200 models that will transition and compliment their existing offerings. They are tapping into new customers and markets at an aggressive price point while continuing to give them the ease of sharing and collaboration during presentations.
The CSM-1, also known as the ClickShare mini has now transitioned into a new model – CSE-200. In addition to the simplicity of Barco’s one-click-wonder, they have completely redesigned the unit with brand new look with all the simplicity of its predecessor. The CSE-200 is taking on the new role of the ClickShare mini and making it even more secure. With updated security embedded into the ClickShare buttons, it becomes even more secure while sharing participant content on the big presentation screen.
Barco also added a new cost-effective model, the CS-100, which is a lower cost unit that has most of the features of the CSE-200. The CS-100 model is priced low to allow any potential end-user to invest in a great platform to share content in their meeting room spaces. This model looks a little different than the CSE-200, with no external antennas and only one USB button to share. But, even with only one button end-users can still use the Barco mobile APP (Android & iOS) that will allow mobile device users to still contribute to the main display.
These two new additions to the Barco family will be sure to complement its big brother, the CSC-1, which is still available for the larger conference rooms that have more participants.
But, the CSC-1 has some fresh news of its own. With a new firmware upgrade, existing CSC-1 ClickShare Classic units can be upgraded to support 4K UHD resolution (with the use of an active DisplayPort to HDMI adapter) and Airplay for iOS 9 devices.
Barco continues to elevate itself in the products they continue to develop for the collaboration and presentation.
For more information on Barco’s ClickShare or to schedule a demo, contact Eric Olson at [email protected] or 888.420.2566 x4082.
by Melody Craigmyle | Jan 26, 2016 | Digital Signage, Education, News, Uncategorized
First, if you haven’t heard of the term “techorating”, it’s not something I made up. I thought I had but after I asked my dear friends Alan and Jonathan Brawn to write a course for our E4 AV Tour on this trend I was calling techorating, they discovered it was not an original. Techorating was a catchy term coined back in 2008 by interior designer, Doug Wilson from the TLC TV show Trading Spaces, as a concept for the emergence of integrating home technology and home decor in balance with one another. Since the Brawn’s taught this course for us a few years ago, the term caught on it the AV industry and has been written about in nearly every major AV publication, including a recent article in Digital Signage Today.com. I’ve seen a lot of great examples of techorating, especially in Las Vegas where designers and architects continue to push the limits to wow audiences, attract visitors and keep us coming back for more shows, casinos, long cab lines and the ever-present linger of 2nd hand smoke. Which is why my visit to Comcast last week was filled with techorating awesomeness! It was an experience like no other, elegantly done with a playful yet bold approach – and 100% smoke free. 
You enter the lobby on JFK Boulevard in downtown Philadelphia, which is the tallest building in the city, and at first it looks like any other normal lobby: 
Nice ashy oak walls, silver accents, very clean and polished look. But wait, something starts to happen and… 
It’s not just a wall! It’s an intergalactic force to be reckoned with. No wait, it’s a water wall! 
Cool stuff, right? It’s the attention to detail as well that struck me. Much of the content intertwines with the wall architecture, creating virtual joints in the places where the LED panels “join” – you can see from this shot that part of the image is a real joint and the other is silver colored pixels. 
You may be wondering what I was doing lingering in the Comcast lobby. I was there on official business but I can tell you that this is one of the most visited tourist destinations in Philadelphia, so it’s not uncommon to see all sorts of people in their lobby. We launched our new Almo Connect service for our resellers to offer bandwidth, cable TV and voice services to their customers and Comcast is one of our partners (along with many other top cable providers). Why would our partners offer bandwidth services? Think about if you’re doing a digital signage deployment and you plan on refreshing high resolution content on a daily or weekly basis. You need LOTS of bandwidth! And for future proofing, think about 4K – now you’re talking BIG data coming across a network. And of course the IT people are like, “no way, not on my network!” And you’re like, “no big deal, we offer high speed internet and we can take care of everything.” Voila – the reseller makes monthly reoccurring revenue on that sale – that’s right – every single month. But back to the techorating – here’s a very cool video so you can see how they use different parts of the wall for entertainment, like this “cubical” video:
Kudos to the designers and especially to the content creators. The convergence of architecture, decorating, digital display, graphic arts done spectacularly well and I didn’t even have to walk through a casino to see it.
by Brian Rhatigan | Jan 20, 2016 | Digital Signage, Education, News
It seems flat panel displays are virtually everywhere these days and have gotten larger, thinner, lighter, and less expensive than ever. Not that long ago in applications requiring a large image a projector was the natural choice, however as flat panels have evolved you are now seeing them installed where historically it would have been a projector. I am not denying the benefits of using a flat panel display, but there are many reasons why projection would be the way to go.
For starters, let’s look at image size. Generally speaking 98” is about the largest flat panel that is readily available at this time. So in instances where an image of larger than 98” diagonal is required, projection becomes the only option to use for a single display device without the complexity of multi-screen video walls. This is pretty clear cut, but size is not the only consideration.
Often audio visual components are integrated into high end architectural spaces including corporate board rooms, lecture centers, training facilities, and more where the display device may not always be in use and for aesthetic reasons the client may not want to “see” the technology in the room. Most projectors are ceiling mounted and generally out of view or can be installed in a lift that can disappear into the ceiling. Projection screens also can disappear when not in use by recessing flush into the ceiling.
Another key consideration is cost. While flat panels have certainly become affordable, however once you get up into the larger sizes above 80”- 90” the costs can still be prohibitive in many cases where projection will often be much more affordable. For illustration purposes consider a 98” professional grade monitor at a cost of $32,679.00 compared to an installation class projector like the Epson PowerLite Pro G 6770WU which is 1920×1200 resolution at 6000 lumens available at a retail price of $5,699.00.
When it comes to unique display applications there are times when a flat panel display is simply not an option. Think about events where you have projection on floor surfaces or on buildings. With projection mapping some really unique projects can be pulled off. A really cool example of this was recently featured in a case study on the basketball arena at Pensacola Christian College using Epson Pro G projectors:
Both flat panel displays and projectors have their pros and cons, however projection is still and will continue to be a great choice for many display applications. For assistance in selecting the right Epson projector or to learn more, contact Brian Rhatigan at [email protected] or 888.420.2566 x6546.
This distinctive display size is ideal for some very unique visual applications. The 3840 x 600 resolution provides a one-of-a-kind canvas to display lots of content with amazing color and imagery. Having an extended wide format display can provide a lot of information on a broad canvas without sacrificing image quality. For example, mounting it sideways in landscape format is a fantastic way for retail stores to display them on top of shelves and demonstrate the latest products.
The portrait format mount is equally valuable and really shows the versatility of this type of monitor where it can be utilized in spaces previously unused for signage. You can mount them vertically on building columns to show the latest information and schedules at transportation hubs (i.e. airports, train stations, bus depots, etc.) and businesses (hotels, banks, art galleries, etc.). Plus, the Picture-by-Picture (PBP) feature allows you to divide the screen into four parts in landscape or portrait installations. You can use one portion of the monitor to show video (live TV) and the remaining 3 portions of still images (date/time, weather, flight schedules, etc.).
